Author: Meg Maker

Circle Chair Meg Maker reflects on how humility and curiosity — not expertise alone — make the finest wine writers. There’s a nonprofit in my town (Lyme, New Hampshire; population 1,730) dedicated to education about the forests of northeastern America. They create materials about forest ecology, conservation, and stewardship, publishing a print quarterly called Northern Woodlands along with a blo...

Circle Chair Meg Maker asks perhaps the most important questions that we all face as a wine writer... Where should I start? I ended my last column with advice to budding wine writers. I said, in essence, that it’s fine but not essential to earn formal wine credentials, because if your primary motive is to share your insights with others, the most important thing is to learn to write, and to pract...

Meg Maker explores the differences between educating yourself in wine, and training yourself as a writer. I've been rummaging through older wine writing, material from 50 or 60 years ago, trying make sense of our craft’s recent history. It’s been fun. I’ve stumbled onto tasting notes from the year I was born. I’ve been reminded of great personalities, like Lalou Bize-Leroy, Becky Wasserman, and A...

Circle Chair Meg Maker questions the role of the reader in wine writing, and in doing so, reflects on the purpose of the writing itself. I recently published a long memoiristic essay about a press trip I’d taken in Northern Italy. A fellow wine journalist posted a comment asking, “Who’s the reader?” It’s a valid question. Whenever we sit down to write an article, we should consider our reader, a...